@Pay

@Pay is an amazing technology that should have existed years ago. They send money through email. It radically simplifies purchases, donations, political contributions and pooling money for causes.

I was recently hired to help re-brand and launch this exciting start up. I encourage you to check them out at www.atpay.com


@pay_logo

















Barbarian Dominion, US Currency on canvas, 16 x 16, 2012 - money collage by Chad Person Barbarian Dominion, US Currency on canvas, 16" x 16" 2012

This piece (along with several new works) will be on view at Go East (curated by Mark Moore Gallery) at Joshua Liner Gallery in NYC. The opening reception is Thursday April 19th from 6-9pm.

Please join me at the gallery on May 5th, 2012 for an after-party coinciding with the PULSE and Freize art fairs.


Address
548 West 28th Street 3rd Floor
New York, NY 10001

Please visit the gallery's website for additional details.

Kraken, US Currency on Canvas, 16 x 16 Money Collage Chad Person-sm








Kraken, US Currency on canvas, 16" x 16" 2012

This is the first of a small series I am exploring. It will be shown alongside other new currency collage work at Joshua Liner Gallery in NYC next month.

Please visit the gallery's website to learn more and get details about the opening.


Here is the transcript of a recent interview I did for Issue #12 of One Two One Two Microphone Check. If you haven't read this interview-only magazine before, I highly suggest you check it out!


Chad Person; Artist

The Work Questionnaire.

What made you go the way you chose to go?

I was headed toward a career in advertising and realized that producing creative wasn't nearly as much fun as being creative. Projects and deadlines are awesome when they relate to my own work, and not so awesome when I am not personally invested.

What's the greatest difficulty you had to overcome to do what you're doing now?

Hubris, particularly as it relates to production. I still struggle with it, as I tend to be a bite-off-more-than-I-should-chew person. That tendency can be hard on the people around me, particularly when I'm under the gun prepping for a big show.

What's the greatest difficulty you face on a daily basis to keep on doing what you're doing?

There really never is enough time...

When did you find yourself thinking, "Well, this is it. I'm really doing what I want now"?

Ask me in 2 years. Seriously. I'd love to say I'm there, but I have never been fully satisfied with "what I'm doing right now." Maybe I'm restless by nature, or perhaps it's just the nature of looking forward to the next thing. I love starting new projects and when they are finished I dive into the next.

How do you imagine the future?

Better, worse, easier and possibly a bit more challenging. I'd love to realize some larger, monumental scale works and/or a public art project or two.

What would you consider to be the main quality in order to survive in your field?

Tenacity. It takes a lot of energy to continually produce things that the markets may or may not want. When you add in the emotional and creative risks that artists have to take every day, it's easy to see why so many of us quit making things over time.

And what is the indispensable flaw that someone should have in order to get into your business?

If you are going to pursue the arts, it helps to be a little off.




A sample from TTF, a dual channel video (28 minutes, looping) that I made in 2011.
This clip is an excerpt and montage of the two screens.

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